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CUMS/CAML Programme, Congress 2009

Dimanche, 10 Mai 2009 07:42 Jean-Benoît Tremblay

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CUMS/CAML Programme, Congress 2009 (May 3, 2009)

THURSDAY, 28 MAY 2009 / JEUDI 28 MAI 2009
9:00 am – 5:00 pm	CUMS/SMUC Board Meeting / Réunion du conseil d’administration: Loeb A931
12:00 pm – 6:00 pm	Welcome and Registration / Accueil et inscription: Fieldhouse
2:00 pm – 5:00 pm	CAML/ACBM Board Meeting / Réunion du conseil d’administration: Loeb A916
6:15 pm	Opening of the conference / Ouverture du congrès: Deanna Oye, Peter Higham, Bryan Gillingham (Director of School for Studies in Art and Culture), John Osborne (Dean of Faculty of Arts and Social Sciences): Loeb A900
6:30 pm	Reception / Réception: Loeb A900 Foyer
8:00 pm	Opening concert / Concert d’ouverture: Kailash Mital Theatre

FRIDAY, 29 MAY 2009 / VENDREDI 29 MAI 2009

8:30 am – 5:00 pm

Welcome and Registration / Accueil et inscription: Fieldhouse

8:45 am – 9:00 am

Conference Welcome / Accueil au congrès: Deanna Oye, Peter Higham, Loeb A900

9:00 am – 10:30 am

CUMS/SMUC I:

MUSIC, PLACE & SOCIETY IN THE 19TH CENTURY

Loeb C264

Elaine Keillor, Chair

1. John Lazos

2. Michelle Boyd

3. Kristina Guiguet

CAML/ACBM I (9:00-10:00)

Library 102

Resource discovery tools

Laura Snyder, Chair

Alastair Boyd /

Suzanne Meyers Sawa

Joseph Hafner

CAML/ACBM (10:00-10:45)

IAML 2012 Planning Committee

Joseph Hafner, Chair

(open to observers)

CUMS/SMUC II:

MESSIAEN AT 100

Loeb A916

François de Médicis, Chair

4. Jean Boivin

5. Philip Gareau

6. Rebecca Simpson-Litke

CUMS/SMUC III:

LECTURE-RECITAL

Loeb A900

John Higney, Chair

7. Jesse Stewart, percussion

10:30 am – 11:00 am

Break / Pause: Loeb A900 Foyer

11:00 am – 12:30 pm

PLENARY SESSION I: COPYRIGHT ISSUES

Loeb C264

Jay Rahn (Moderator), Monica Fazekas, Howard Knopf

12:30 pm – 2:00 pm

Lunch: on your own/ Dîner : à votre choix

2:00 pm – 3:30 pm

CUMS/SMUC IV:

FIN-DE-SIECLE FRANCE

Loeb A900

Alan Gillmor, Chair

8. François de Médicis

9. Gregory Marion

10. Sarah Gutsche-Miller

CAML/ACBM

Tour of Canadian Museum of Civilization

CUMS/SMUC V:

19TH-CENTURY STYLE ISSUES

Loeb A916

Alan Dodson, Chair

11. Mark Richards

12. Edward Jurkowski

13. Ryan McLellan

CUMS/SMUC VI:

PIANO LAB AT UNIVERSITY OF OTTAWA

Pérez Hall

Performance:

14. Elaine Keillor (piano)

Papers:

15. Milton Schlosser

16a. Gilles Comeau, Flora Nesrallah, Isabelle Cossette

16b. Gilles Comeau

Tour of the Piano Lab

3:30 pm – 4:00 pm

Break / Pause: Loeb A900 Foyer

4:00 pm – 5:30 pm

CUMS/SMUC VII:

AESTHETICS

Loeb A916

Murray Dineen, Chair

17. David Cecchetto

18. Michael Szekely

19. Michael Morse

CAML/ABCM

Tour of Library and Archives Canada/Presentation on the Recorded Sound Collection (to 6:30 pm)

CUMS/SMUC VIII:

THEORY

Loeb A900

Harald Krebs, Chair

20. Stephanie Lind

21. Jason Yust

22. Roxane Prévost

5:30 pm

CUMS/SMUC Standing Committee of Institutional Members / Comité des Universités members

Mike’s Place, University Centre

7:30 pm

Concert: A Celebration of Canadian Music / Une célébration de la musique canadienne : Kailash Mital Theatre

Reception / Réception: Loeb Wine Bar

SATURDAY, 30 MAI 2009 / SAMEDI 30 MAI 2009

8:30 am – 5:00 pm

Welcome and Registration / Accueil et inscription: Fieldhouse to 12:30 p.m., afterwards: Loeb A900 Foyer

9:00 am – 10:00 am

CUMS/SMUC IX:

FOLK MUSIC RESEARCH

Loeb A602

Beverley Diamond, Chair

23. Flavia Gervasi

24. Monique Giroux

CAML/ABCM

Loeb C264

Members’ Research Joan McGorman, Chair

Jan Guise

Peter Higham

CUMS/SMUC X:

CONTROVERSY

Loeb A916

Bryan Gillingham, Chair

25. Alexia Jensen

26. John Higney

CUMS/SMUC XI:

MINI-CONCERT

Loeb A900

Deanna Oye, Chair
27. Cheryl Pauls, piano

10:00 am – 10:15 am

Break / Pause: Loeb A900 Foyer

10:15 am – 11:15 am

CUMS/SMUC XII:

FIRST NATIONS IN CAN. ART MUSIC

Loeb A602

Anna Hoefnagels, Chair

28. Mary Ingraham

29. Dylan Robinson

CAML/ABCM (10:15-11:00)

Loeb C264

Cataloguing with RDA

Daniel Paradis

CUMS/SMUC XIII:

FILM MUSIC

Loeb A916

James Deaville, Chair

30. Eric Hung

31. Alexis Luko

CUMS/SMUC XIV:

LECTURE-RECITAL

Loeb A900

Jerome Summers, Chair

32. Rebecca Danard, clarinet

11:15 am – 11:30 am

Break / Pause: Loeb A900 Foyer

11:30 am – 12:30 pm

CUMS/SMUC XV:

CANADIAN CULTURAL INSTITUTIONS

Sam Cronk, Chair

Loeb A602

33. Beverley Diamond

34. Ellen MacIsaac

CAML/ABCM (11:00-12:00)

Loeb C264

Information Literacy

Debra Ann Begg, Chair

Brian McMillan

Laura Snyder

CAML/ACBM (12:00-12:45)

Cataloguing Committee

Daniel Paradis, Chair

(open to observers)

CUMS/SMUC XVI:

JAZZ STUDIES

Loeb A916

Jesse Stewart, Chair

35. Tony Dunn

36. James McGowan

CUMS/SMUC XVII:

LECTURE-RECITAL

Loeb A900

Mary Ingraham, Chair

37. Lorna McDonald (soprano) & Che Anne Loewen (piano)

12:30 pm – 2:00 pm

Break / Pause: Loeb A900 Foyer

2:00 pm – 3:30 pm

PLENARY SESSION II: KEYNOTE ADDRESS

Mark Miller

A Digressive Review of 35 Years in Jazz Journalism

Loeb C264

3:30 pm – 4:00 pm

Break / Pause: Loeb A900 Foyer

4:00 pm – 5:30 pm

CUMS/SMUC XVIII:

MUSICOLOGY, PERFORMANCE, SLAVERY

Loeb A916

James Deaville, Chair

38. Dillon Parmer

39. James Wright

40.Christopher Moore

CAML/ABCM

Loeb C264

Eletronic Delivery of Music Resources

Lucinda Walls, Chair

Richard Belford

Jared Wiercinski / James Mason

CUMS/SMUC XIX:

CONSTRUCTING RACE

Loeb A602

Danick Trottier, Chair

41. Marie-Hélène Benoit-Otis

42. Adalyat Issiyeva

43. Marie-Noëlle Lavoie

CUMS/SMUC XX:

MINI-CONCERT

Loeb A900

Chair TBA

44. Jane Leibel (soprano) & Maureen Volk (piano)

5:30 pm

CUMS/SMUC Annual General Meeting / Assemblée générale annuelle: Loeb A900

7:00 pm

Banquet CUMS/SMUC – CAML/ACBM: Malone’s (Dows Lake)

SUNDAY, 31 MAY 2009 / DIMANCHE 31 MAI 2009
8:30 am – 12:00 pm	Registration / Inscription: Loeb A900 Foyer
9:00 am – 10:30 am	CUMS/SMUC XXI: MUSIC JOURNALISM Loeb A900 Kristina Guiguet, Chair 45. Claudine Caron 46. Michel Duchesneau 47. Justine Comtois	CAML/ACBM Annual General Meeting / Assemblée générale annuelle (9:00 am to 11:00 am) Loeb C264 CAML/ACBM (11:30 am to 12:30 pm) CAML Board meeting	CUMS/SMUC XXII: ANALYZING THE 19TH CENT. Loeb A916 James Wright, Chair 48. Harald Krebs 49. Jon-Thomas Godin 50. Alan Dodson
10:30 am – 11:00 am	Break / Pause: Loeb A900 Foyer	Loeb A931	Break / Pause: Loeb A900 Foyer
11:00 am – 12:30 pm	CUMS/SMUC XXIII: 20th- CENTURY LEGACIES Loeb A900 Ed Jurkowski, Chair 51. Austin Clarkson 52. Danick Trottier 53. Evelyne Lavoie	CUMS/SMUC XXIV: MUSICAL STAGE Loeb C264 Susan Blyth-Schofield, Chair 54. Antonio Giamberardino 55. Dan Sheridan		CUMS/SMUC XXVI: ANALYSIS OF POP. MUSIC Loeb A916 Will Echard, Chair 58. Lori Burns, Tamar Dubuc & Marc LaFrance 59. Dave Rowat
		CUMS/SMUC XXV: “ABSOLUTE” MUSIC Catrina Flint, Chair 56. Andrew Deruchie 57. Robert Rival
12:30 pm – 1:00 pm
1:00 pm – 2:00 pm	CUMS/SMUC Board Meeting / Réunion du conseil d’administration: Loeb A931

CUMS/SMUC PRESENTATIONS

I. Music, Place and Society in the 19th Century

1.	John G. Lazos (Montréal)	Bishop Colina’s Musical Legacy in the Archives of San Cristobal de la Casas, Chiapas, Mexico
2.	Michelle Boyd (Toronto)	The Music Book of Miss Havilah Thorne: Music, Identity and Trans-Atlantic Culture in Nineteenth-Century Rural Nova Scotia
3.	Kristina Guiguet (Carleton)	Music as a Discourse of Power: A Conservative Musical Soundscape in Britain (1835-41)

II. Messiaen at 100

4.	Jean Boivin (Sherbrooke)	In Search of an Objective Evaluation of Messiaen’s Theocritical Writings: The Reception of Traité de rhythme de couleur et de ornithologie
5.	Philip Gareau (Montréal)	Olivier Messiaen et le “temps relatif”: Quand la musique s’inspire de la théorie de la relativité
6.	Rebecca Simpson-Litke (UBC)	Using Modal Relationships to Create and Analytical Narrative for Olivier Messiaen’s “Action de graces” from Poème pour Mi (soprano and piano)

III. Lecture-Recital

Jesse Stewart (Carleton)

The Canadian Remix Project (for turntable, sampler, and drum set)

IV. Fin-de-Siècle “Movements” in France

8.	François de Médicis (Montréal)	The Premiere of Debussy's String Quartet at the Société Nationale de Musique (1893): Style and Political Stakes
9.	Gregory Marion (Saskatchewan)	Projects and Projections: Debussy in the Ballet
10.	Sarah Gutsche-Miller (McGill)	Popular, Up-to-Date Spectacles: Ballet in Fin-de-Siècle Parisian Music-Halls

V. 19th-Century Style Issues

11.	Mark Richards (Toronto)	Beethoven’s Oratorio Christus am Ölberge as an Incomplete Conception of the Heroic Style
12.	Ed Jurkowski (Lethbridge)	Berlioz the Classicist: The Role of Eighteenth-Century Instrumental Music Upon the Composer’s Melodic Style
13.	Ryan McLelland (Toronto)	Brahms oder Dietrich? An Analytic Perspective on the Piano Trio in A Major

VI. Piano Lab at University of Ottawa: Tour, Papers, Performance

14.	Elaine Keillor (Carleton)	Performance
15.	Milton Schlosser (Alberta)	Minding the Music: Neuroscience, video-recording, and the pianist
16a.	Flora Nesrallah (Ottawa), Isabelle Cossette (Ottawa), Gilles Comeau (McGill)	Breathing Patterns of Novice, Advanced and Professional Pianists While Executing Four Performing Tasks
16b.	Gilles Comeau (Ottawa)	Piano Method Books and the Introduction of Musical Notation: Surveying the Field and Using Eye-Tracking Technology to Examine Some Aspects of Presentation

VII. CUMS/CSA Joint Session

17.	David Cecchetto (Victoria)	Music and Catachresis: Lachenmann’s …zwei Gefühle… in the Theatre of Judith Butler
18.	Michael Szekely (Temple)	On a Spade Reddened in the Fire: Surrealism, Philosophy, and Improvised Jazz
19.	Michael Morse (Trent)	Cinderella at the Corner of Broadway and 52nd St. – Some Aristoxenian Notes on the Sociology of Contemporary Harmony

Plenary Session I (with CAML): Copyright Issues

Jay Rahn, Moderator (York University)

Monica Fazekas (University of Western Ontario)

Howard Knopf (Macera & Jarzyna, LLP, Ottawa)

VIII. New Approaches in Theory/Analysis

20.	Stephanie Lind (Queen’s)	Jacques Hétu’s Style Composite: Crafting Atonality through Modal Superimposition
21.	Jason Yust (Alabama)	Counterpoint and Sequence in Schenkerian Theory
22.	Roxane Prévost (Ottawa)	Metrical Disruptions in Kelly Marie Murphy’s “Give Me Phoenix Wings to Fly”

IX. Folk Music Research: Issues and Findings

23.	Flavia Gervasi (Montréal)	Voix de la tradition au sud de l’Italie : les enjeux identitaires cachés derrière les paramètres sonores
24.	Monique Giroux (York)	Crossing Borders: Researching Fiddle Music in Canada

X. Musicians and Controversy

25.	Alexia Jensen (Montréal)	La querelle Kreutzer/Lesueur (Paris, 1809) : les enjeux d’un débat opératique entre frères ennemis
26.	John Higney (Carleton)	The Foundation to Assist Canadian Talent on Recordings (FACTOR): Reconciling Culture and Commerce in Canada’s Music Industry

XI. Mini-Concert

27.

Cheryl Pauls (Canadian Mennonite U)

Celebrate Carter

XII. First Nations Peoples in Canadian Art Music

28.	Mary Ingraham (Alberta)	Are We There Yet? Enroute to First Nations Musical Citizenship in Canadian Opera
29.	Dylan Robinson (Victoria)	The Exscription of First Nations Voices in Canadian Art Music

XIII. Screen Music

30.	Eric Hung (Westminster Choir College)	The Meaning of “World Music” in Firefly
31.	Alexis Luko (Rochester)	Ingmar Bergman’s Musicians

XIV. Lecture-Recital

32.

Rebecca Danard (Cincinnati)

Etudes in Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet

XV. Canadian Cultural Institutions and Their Policies

33.	Beverley Diamond (Memorial)	Regionalism Revisited: Canadian Institutions and the Patterning of Support for Different “Musical Worlds”
34.	Ellen MacIsaac (unaffiliated)	Ethics and Music Research: An Examination of Current and Federal Policies

XVI. New Perspectives on Jazz Theory and Analysis

35.	Tony Dunn (Ottawa)	Negotiating Changing Metric Structures: Metrical Dissonance and Metrical Attention in a Jazz Performance
36.	James McGowan (Laurentian)	Psychoacoustic Foundations of Contextual Harmonic Stability in Jazz Piano Voicings

XVII. Lecture-Recital

37.

Lorna McDonald & Che Anne Loewen (Toronto)

Lois Marshall in Russia

Plenary Session II (with CAML): Keynote Address: A Digressive Review of 35 Years in Jazz Journalism

Mark Miller

XVIII. Musicology, Performance, Slavery

38.	Dillon Parmer (Ottawa)	Who Rules the Rulers? The Politics of Musical Understanding
39.	James Wright (Carleton)	Glenn Gould's Conception of Performance as Slavery
40.	Christopher Moore (Ottawa)	Hermeneutics and the Drastic Moment

XIX. Constructing Race Through Music

41.	Marie-Hélène Benoit-Otis (Montréal)	Anéantissement, assimilation ou naufrage? A propos de la traduction du Judaïsme dans la musique de Richard Wagner
42.	Adalyat Issiyeva (McGill)	Cabinet or Resuscitated Orient? Russian Fin-de-Siècle Sources on Asian Music
43.	Marie-Noëlle Lavoie (Montréal)	Des “Rolls-Royce de la musique de danse” au “lyrisme des races persécutés” : (Re)considérations sur les emprunts jazzistiques chez Milhaud

XX. Mini-Concert

44.

Jane Leibel & Maureen Volk (Memorial )

Mini-Concert: In the Key of Cs: A Birthday Celebration for Clifford Crawley

XXI. Music Journalism

45.	Claudine Caron (Montréal)	Le Nigog (1918): Advocating for Modern Canadian Music
46.	Michel Duchesneau (Montréal)	La Revue Musicale (1920-1940) : médiation et strategies esthétiques
47.	Justine Comtois (Montréal)	La Revue Musicale de Henri Prunières et la jeune École Italienne

XXII. Analysing the 19th Century

48.	Harald Krebs (Victoria)	A Poet and a Composer Discuss Rhythm: The Schiller-Körner Correspondence
49.	Jon-Thomas Godin (Montréal)	L’emploi des marqeurs formels dans les sonates de Schubert
50.	Alan Dodson (UBC)	Phrase Rhythm and Performance in Three Chopin Preludes

XXIII. 20th-Century Legacies

51.	Austin Clarkson (York)	Edgard Varèse, Stefan Wolpe and the Legacy Ferruccio Busoni
52.	Danick Trottier (Harvard)	Remembering Stravinsky: Berio and Boulez’s Contrasting Views
53.	Evelyne Lavoie (Memorial)	Entre myth et réalité : Claude Vivier, “héro national”?

XXIV. Performing Identity on the Musical Stage

54.	Antonio Giamberardino (Carleton)	You Will Remember Vienna: “Schmaltz” and Orientalism in Léhar’s Das Land des Lächelns
55.	Dan Sheridan (Carleton)	Consecrating the Wound: Parsifal, Grand Opera and the Embodied Nation

XXV. Identifying Meanings in “Absolute” Music

56.	Andrew Deruchie (McGill)	The “Tristesse” of Chausson’s Symphony
57.	Robert Rival (Toronto)	The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich’s Seventh String Quartet

XXVI. Analysing Popular Music

58.	Lori Burns, Tamar Dubuc & Marc LaFrance (Ottawa)	Embodied Intersubjectivities in Time and Space: Visual and Musical Narratives in Mandy Moore’s Cover of Rihanna’s “Umbrella”
59.	David Rowat (Ottawa)	Vocal Production and Analytic Contexts in Extreme Metal Music

CAML Sessions

1a. Resource discovery tools and catalogue interfaces

Alastair Boyd, Suzanne Meyers Sawa (Toronto): Endeca
Joseph Hafner (McGill): planning for resource discovery

1b. IAML 2012 Planning Committee (open to observers)

Joseph Hafner, Chair

2. Tour of Canadian Museum of Civilization

3. Tour of Library and Archives Canada/Presentation on the Recorded Sound Collection

4. Members’ research projects

Jan Guise (Manitoba): Weeding and collection development
Peter Higham (Mount Allison): Five Cent music

5. Cataloguing

Using RDA to catalogue: Daniel Paradis (UQAM)
Teaching students about RDA: Cheryl Martin (Western Ontario)

6a. Information literacy

Brian McMillan (McGill)
Laura Snyder (Alberta)

6b. Cataloguing Committee: Meeting (open to observers)

7. Electronic delivery of music resources

Richard Belford (Saskatchewan)
Jared Wiercinski (McGill) and James Mason (Toronto)

Mis à jour ( Mercredi, 20 Mai 2009 14:55 )

Congrès 2009

Mercredi, 26 Novembre 2008 11:54 Adam Becker

Fédération canadienne des sciences humaines à se joindre à nous en vue du congrès 2009, qui se déroulera du 23 au 31 mai 2009.

Le thème du Congrès de 2009 sera «Capital Connections: nation, terroir, territoire». Ce thème invite à une exploration de l’identité basée sur l’espace physique – l’espace d’un peuple, d’une nation, de son «terroir» historique, et du rôle de la «capitale» comme déterminant de leurs définitions. Une question, entre autres, est: «La mondialisation a-t-elle produit une vague de changements dans notre compréhension du rapport entre le lieu et qui nous sommes?» De plus, il s’agit aussi du territoire intellectuel: le «terroir» des disciplines académiques, et l’espace interdisciplinaire entre elles.

Mis à jour ( Dimanche, 01 Février 2009 12:47 )

Remboursement des dépenses (membres du conseil)

Jeudi, 30 Octobre 2008 09:57 Adam Becker

Le document suivant n'est pas disponible en français. Nous nous excusons des inconvénients que cette situation peut causer. La Société de musique des universités canadiennes s'engage à rendre disponible une version française aussi rapidement que possible.

Remboursement des dépenses pour les membres du conseil (PDF, anglais)

Mis à jour ( Lundi, 01 Juin 2009 08:06 )

Remboursement des dépenses (présentateurs)

Jeudi, 30 Octobre 2008 09:56 Adam Becker

Remboursement des dépenses pour les présentateurs (PDF, anglais)

Mis à jour ( Lundi, 01 Juin 2009 08:04 )

Preliminary Schedule of Sessions / Programme préliminaire des séances

Lundi, 08 Mars 2010 09:06 Lynn Cavanagh

Preliminary Schedule of Sessions / Programme préliminaire des séances
Conference / Congrès 2010
The University of Regina / L’Université de Régina

THURSDAY, 3 JUNE 2010 / JEUDI 3 JUIN 2010
9:00 am – 5:00 pm	Board Meeting / Réunion de conseil d’administration: Riddell Centre 262.
12:00 noon – 6:00 pm	Welcome and Registration / Accueil et inscription: Dr. William Riddell Centre crush area.
6:15 pm	Opening of the conference / ouverture du congrès: University Club (College West Building, 2d floor)
6:30 pm	Reception / Réception: University Club (College West Building, 2d floor)
8:00 pm	Opening concert / Concert d’ouverture: University Theatre, Dr. William Riddell Centre.

FRIDAY, 4 JUNE 2010 / VENDREDI 4 JUIN 2010
8:30 am −3:30 pm	Welcome and Registration
9:00−10:30 am	Session I: Negotiating Opera Chair: Gregory Marion (Saskatchewan) 1. The debutante and her critics: ritual initiation at the Paris opéra, 1830−1850 Kimberly White (McGill) 2. Claggart’s monologue and the Britten-Forster collaboration in Billy Budd Michelle Fillion (Victoria) 3. Ambivalence and multiplicity: Faust in postmodern opera Carolyn Ehman (Eastman)
9:00−10:30 am	Session II: Analytic Techniques in Twentieth-century Music 1. Generalizing Stravinsky’s rotational arrays: serial possibilities old and new Troy Ducharme (Manitoba) 2. Glenn Gould vs. girl talk: A theoretical treatment of mash-ups as counterpoint Anthony Cushing (Western Ontario) 3. Disruption and reconciliation in the formal, tonal and pitch-class organization of Ginastera’s Piano Sonata No. I, first movement Ian Bates
11:00−12:30	SMUC / CUMS & CAML ACBM Plenary Session / Séance plénière I: Keynote Address / Discours principal : Dr. Jérôme Blais (Dalhousie).
1:30–3:00	Session III: American Popular Music Studies 1. Singing pacifism and belligerence during the first world war in America Christina Gier (Alberta) 2. L’Influence de la musique d’Ornette Colement chez le compositeur Charles Mingus Philippe Latour (Montréal) 3. Metric quality and process in the Motown groove Robin Attas (British Columbia)
1:30–3:00	Session IV: Studies in Twentieth-century Music 1. La mélodie et la perception cyclique du temps dans le quatuor à cordes no2 de Leoš Janáček Marie-Ève Thuot (Montréal) 2. Exploring commonalty in the idiosyncratic piano music of Scriabin and Roslavets Anna Ference (Wilfrid Laurier) 3. Seeking virtual voices in Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum for contrabass flute, contrabass clarinet and live electronics (1985) Friedemann Sallis, co-authored by Ian Burleigh and Evan Rothery (Calgary)
2:00 –3:00	Session V: Contextualization in Early Music 1. Non pitch-specific notation in practice and transcription: Beneventan chant in campo aperto and in voce Matthew Peattie (Cincinnati College-Conservatory) 2. From we to me: charting the change from family to individual heraldry in trecento song Sarah Latta (Toronto)
3:30–5:00	Session VI: Intertextual Readings in Nineteenth-century Music 1. La Quintette pour piano et cordes en sol mineur de Zarebski: présentation et analyse Justin Maheu (Laval) 2. The body of das Volk: the grand opera chorus, Kunstreligion, and the performance of nationhood in Die Meistersinger and Parsifal Dan Sheridan (Carleton) 3. «Délicieux oubli des choses de la terre » : la genèse d’un duo d’amour wagnérien Marie-Hélène Benoit-Otis (Montréal)
	Session VII: Canadian Piano Music 1. Miniconcert: Piano solo program of works by Canadian composers Yoko Hirota (Laurentian) 2. Lecture-recital: John Burge’s Six Studies in Poetry: piano études inspired by the composer’s favourite poets John Burge (Queen’s)
	Session VIII: Performance Issues: Twenty-first-century Paradigms 1. Microphone practice on Bon Iver’s For Emma, Forever Ago (2007) Amanda Lewis (Western Ontario) 2. Performativity, poetry and creation: in search of the language of art song performance Kathryn Whitney (Victoria) 3. The virtual virtuoso: musical virtuosity in the twenty-first century Paul Sanden (Western Ontario)
5:30 pm	Standing Committee of Institutional Members / Comité permanent des institutions membres, Annual Meeting / Assemblée annuelle (University Club)
8:00 pm	Contemporary Music Concert / Concert de musique contemporaine: Mackenzie Art Gallery, Agra Torchinsky Salon (3475 Albert Street), performed by the University of Regina New Music Ensemble, Alain Perron, director.
SATURDAY 5 JUNE 2010 / SAMEDI 5 JUIN 2010
8:30 –3:30	Welcome and Registration / Accueil et inscription : Riddell Centre crush area
9:00 –10:30	Session IX: Contemplating Caplin: Analysis of Classical Era Music Chair: Lynn Cavanagh (Regina) 1. Sonata simple? A reappraisal of sonatina form Edward Jurkowski (Lethbridge) 2. Endings to classical themes: the role of melody in cadences, closural function and the separated cadence Mark Richards (Toronto) 3. Two-part transition or two-part subordinate theme: understanding the difference Carl Wiens (Nazareth College)
9:00 –10:30	Session X: Canadian Music and Place 1. Repurposing and performing urban space: R. Murray Schafer’s revitalization and reworking of found urban spaces in his site-related music theatre works Kate Galloway (Toronto) 2. Landscape and nationalism in R. Murray Schafer’s And Wolf Shall Inherit the Moon Matthew Toth 3. (Re) creating the past: place, Identity, and nostalgia in John Estacio’s Filumena and Allan Gordon Bell’s Turtle Wakes Kenneth Delong (Calgary)
	9:30 -10:30 Session XI: First Nations Music 1. Le kattajaq selon Tanya Tagaq : apport stylistique et esthétique Sophie Stévance (Montréal) 2. First Nations song as early music for the twenty-first century Dylan Robinson (Toronto)
10:45 –12:30	Session XII: Contemporary American-born composers 1. Harvest’s yield: Elliott Carter’s late music Brenda Ravenscroft (Queen’s) 2. Lecture Recital: Try me, Good King: Last Words of the Wives of Henry VIII by Libby Larsen, performed by Claire Vangelisti (Louisiana, Munroe) and Richard Seiler (Louisiana, Munroe) 3. Miniconcert: Garbage Delight by Raymond Luedeke (b. 1944) , performed by Karen Finnsson (Regina) and the Regina Saxophone Quartet (independent members)
11:00– 12:30	Session XIII: Eurasia Folk Traditions 1. Unveiling tradition: the oriental other in Russian folksongs Adalyat Issiyeva (McGill) 2. Sung poetry among the Turkic agro-pastoralists of central Asia Frédéric Léotar (Montréal) 3. Pour une methodologie d’enquête de l’esthétique vocale de tradition orale Flavia Gervasi (Montréal)
11:00–12:00	Session XIV: Music this side of the Atlantic, through British eyes and ears 1. Reinventing tradition: Ralph Vaughan Williams’ Newfoundland folksong settings Glenn Colton (Lakehead) 2. “The rather unattractive figure at the piano”: Graham Steed (1913-1999) on Glenn Gould Barbara Reul (Regina)
1:30 –3:00	SMUC / CUMS & CAML ACBM Plenary Session / Séance plénière II: The “Great Debate”: Do universities with music degree programs necessarily require a specialist in music on their library staff? Or not? Moderator: Jan Guise (Manitoba).
3:30–4:30	Session XV: Québec and Musical Vibrancy 1. Les événements du neuf sont-ils le fluxus du Québec? Ariane Couture (Montréal) 2. Speaking in tongues: speech sound metaphors in Claude Vivier’s Lonely Child Emilie Marshall (Western Ontario)
3:30 –4:00	Session XVI: Schumann Year Mini-concert: Robert Schumann’s Davidsbündlertänze, op. 6, performed by pianist Christine Vanderkooy (Regina).
4:30–6:00 pm	Annual General Meeting / Assemblée générale annuelle
6:30 pm	Cocktails (cash bar) and 7:00 pm buffet dinner, Hotel Saskatchewan Radisson Plaza, 2125 Victoria Avenue
SUNDAY 6 JUNE 2010 / DIMANCHE 6 JUIN 2010
9:00–11:00	Welcome and Registration / Accueil et inscription : Riddell Centre crush area
9:30–10:30	Session XVII: Metastudies in Ethnomusiology 1. Technology and change: an experiment in teaching music cultures of the world Pauline Minevich (Regina) 2. Bringing the “chinese national music” debate to America: Wu Man’s contributions to Carnegie Hall’s 2009 chinese festival Eric Hung (Westminster Choir College)
9:30–10:30	Session XVIII: Compositions by Naturalized Canadians 1. “Voices from History”: postmodern Canadian historicism in Istvan Anhalt’s Winthop Colleen Renihan (Toronto) 2. Mini-concert: Works for violin and piano duo by Canadian composer S. C. Eckhardt-Gramatté,performed by violinist Oleg Pokhanovski (Manitoba) and pianist Megumi Masaki (Brandon)
11:00–12:30	Session XIX: Music and the Extramusical 1. The politics of conviviality: Nina d’Aubigny von Engelbrunner’s Briefe an Natalie (1803) Deanna Davis (Alberta) 2. “By this symbol is expressed…everything I am”: Arnold Schoenberg, David Bowie and the Mask of Pierrot Alexander Carpenter (Augustana campus, U. Alberta) 3. City of gold: a journey to the Klondike gold rush through film, photographs, narrator and music Roxanne Prevost (Ottawa)
11:00–12:00	Session XX: Music and Spirituality 1. Religion et symbolism dans Offertorium de Sofia Gubaidulina : le sacrifice du narrative Jean-Benôit Tremblay (Laval) 2. Mini-concert: Meditations on love and grace, performed by mezzo-soprano Kathryn Whitney (Victoria) and pianist David McIntyre (independent).
1:30–3:00	Board Meeting / Réunion de conseil d’administration (off-campus).

Mis à jour ( Lundi, 08 Mars 2010 09:42 )

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